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Hipstee What does a hipster look like? VideoTHE LIFE OF A HIPSTER - by Gational Neographic
Many of these form an oasis for alternative, liberal lifestyles and politics in the midst of a region which normally has a strong association with the GOP and very conservative, traditional values.
One of these cities which is particularly well-known is Austin , Texas. Austin is well known as the home of the South by Southwest Music Festival.
Texas is well known for its loyalty to the Republican party, but Austin is one of the few locales in Texas which will reliably vote Democratic on a political map.
Austin also is the home to several organic foods and cosmetics companies based out of the city. The neighborhood of East Austin is an especially popular neighborhood for hipster-types to live in.
Another example of a liberal enclave in a conservative state is Salt Lake City. In , only two counties showed a majority voted Democratic on a political map of Utah, both located right around Salt Lake City.
It is awash with vegan stores and hiking trails. Denver is another often-cited example of a famous pilgrimage destination for Millennials.
Denver has a burgeoning reputation for their microbreweries. The city is also well known for their hiking and skiing.
The city reportedly has one of the most active and "fit" populations in the U. Bands sometimes have to book popular dates as far as five years in advance.
As hipsters—"young creatives" priced out of Bohemian urban neighborhoods in Brooklyn such as Williamsburg , Park Slope , and Greenpoint —moved into suburbs near New York City, The New York Times coined the neologism "Hipsturbia" to describe the hip lifestyle as lived in suburbia.
A minor trend of cross acculturation of Chabad Hasidism and Hipster subculture appeared within the New York Jewish community , beginning in the late s.
A significant number of members of the Chabad Hasidic community, mostly residing Crown Heights, Brooklyn , appear to now have adopted various cultural affinities as the local hipster subculture.
These cross-acculturated Hasidim have been dubbed " Chabad hipsters " or "Hasidic hipsters". The song " Brooklyn Baby " by Lana Del Rey is notable for containing satirical elements targeting the New York hipster subculture:  its chorus highlights "a stable of cliches about hipsters, Brooklyn, millennials and other things Del Rey herself is known to idolize".
There has been a parallel movement within the American Muslim community with members termed "mipsters". The Soviet equivalent of the hipster or beatnik , known as Stilyagi , first appeared during the mid s and identified with the modern jazz scene.
Hipster racism is engaging in behaviors typically regarded as racist and defending them as being performed ironically or satirically.
Rachel Dubrofsky and Megan W. Wood have described it as being supposedly "too hip and self-aware to actually mean the racist stuff one expresses". Hahner and Scott J.
Varda described it, "those participating in acts of hipster racism understand those acts as racist when practiced by others, but rationalize their own racist performances through a presumed exceptionalism.
Nipsters are a right-wing neo-Nazi hipster movement that emerged in Nipsters have found ways to bypass the inhibition against right-wing extremist recruitment of adolescents in Germany through their indistinguishable similarity to and affiliation with the Hipster subculture.
The media uses the term Nipster a portmanteau of Nazi and Hipster for people who combine Hipster style with right-wing and neo-Nazi extremism. British neo-Nazi terrorist organisation National Action was said to have been a "mixture of hipsters and skinheads".
Hipster sexism , also known as everyday sexism, or ironic sexism,  is defined by Alissa Quart in New York magazine's fashion blog The Cut as "the objectification of women but in a manner that uses mockery, quotation marks, and paradox".
It is rooted in the idea that sexism is an outdated and archaic institution which people do not engage in anymore, thereby making the demonstration of sexism seem satirical and ironic.
Hipster sexism may be presented with derision and expressed as harmless. A tenet of hipster sexism is the casual use of derogatory words such as "bitch" and " slut ", on the basis that such use is intended as ironic.
Quart coined the term "hipster sexism" in , partly as a comment on " hipster racism ", a term coined by Carmen Van Kerckhove circa  which had been popularized earlier in A literature review in the European Journal of Cultural Studies summarised the hipster culture "as a translocal and layered phenomenon with contextually specific claims to authenticity".
What is absolutely crucial — and global — in defining a hipster is the claim to authenticity, uniqueness and individuality.
Christian Lorentzen of Time Out New York argues that "hipsterism fetishizes the authentic" elements of all of the "fringe movements of the postwar era—Beat, hippie, punk, even grunge", and draws on the "cultural stores of every unmelted ethnicity" and "gay style", and then "regurgitates it with a winking inauthenticity".
He claims that this group of "toyear-olds", who are mostly white, "have defanged, skinned and consumed" all of these influences.
He argues that metrosexuality is the hipster appropriation of gay culture , as a trait carried over from their "Emo" phase.
He writes that "these aesthetics are assimilated—cannibalized—into a repertoire of meaninglessness, from which the hipster can construct an identity in the manner of a collage, or a shuffled playlist on an iPod ".
In a Huffington Post article entitled "Who's a Hipster? She claims that the "whole point of hipsters is that they avoid labels and being labeled.
However, they all dress the same and act the same and conform in their non-conformity" to an "iconic carefully created sloppy vintage look". Rob Horning developed a critique of hipsterism in his April article "The Death of the Hipster" in PopMatters , exploring several possible definitions for the hipster.
He muses that the hipster might be the "embodiment of postmodernism as a spent force, revealing what happens when pastiche and irony exhaust themselves as aesthetics", or might be "a kind of permanent cultural middleman in hypermediated late capitalism, selling out alternative sources of social power developed by outsider groups, just as the original 'white negros' evinced by Norman Mailer did to the original, pre-pejorative 'hipsters'—blacks".
Horning also proposed that the role of hipsters may be to "appropriat[e] the new cultural capital forms, delivering them to mainstream media in a commercial form and stripping their inventors Furthermore, he argues that the "hipster is defined by a lack of authenticity, by a sense of lateness to the scene" or the way that they transform the situation into a "self-conscious scene, something others can scrutinize and exploit".
Dan Fletcher in Time seems to support this theory, positing that stores like Urban Outfitters have mass-produced hipster chic , merging hipsterdom with parts of mainstream culture, thus overshadowing its originators' still-strong alternative art and music scene.
Critics have described the loosely defined group as smug, full of contradictions and, ultimately, the dead end of Western civilization".
Elise Thompson, an editor for the LA blog LAist , argues that "people who came of age in the 70s and 80s punk rock movement seem to universally hate 'hipsters'", which she defines as people wearing "expensive 'alternative' fashion[s]", going to the "latest, coolest, hippest bar Thompson argues that hipsters "don't seem to subscribe to any particular philosophy Instead, she argues that they are " soldiers of fortune of style" who take up whatever is popular and in style, "appropriat[ing] the style[s]" of past countercultural movements such as punk, while "discard[ing] everything that the style stood for".
Drawing from Pierre Bourdieu 's work and Thomas Frank 's theories of co-optation , Zeynep Arsel and Craig Thompson argue that in order to segment and co-opt the indie marketplace, mass media and marketers have engaged in commercial "mythmaking" and contributed to the formation of the contemporary discourse about hipsters.
Their claim is that the contemporary depiction of hipster is generated through mass media narratives with different commercial and ideological interests.
In other words, hipster is less of an objective category, and more of a culturally- and ideologically-shaped and mass-mediated modern mythology that appropriates the indie consumption field and eventually turns into a form of stigma.
Arsel and Thompson also interview participants of the indie culture DJs, designers, writers to better understand how they feel about being labeled as one.
Their findings demonstrate three strategies for dissociation from the hipster stereotype : aesthetic discrimination, symbolic demarcation, and proclaiming sovereignty.
These strategies, empowered by one's status in the indie field or their cultural capital enable these individuals to defend their field dependent cultural investments and tastes from devaluing hipster mythology.
Arsel and Thompson's work seeks to explain why people who are ostensibly fitting the hipster stereotype profusely deny being one: they argue that hipster mythology devalues their tastes and interests and thus they have to socially distinguish themselves from this cultural category and defend their tastes from devaluation.
To succeed in denying being a hipster, while looking, acting, and consuming like one, Arsel and Thompson suggest that these individuals demythologize their existing consumption practices by engaging in rhetorics and practices that symbolically differentiate their actions from the hipster stigma.
He questions the contradictory nature of the label, and the way that no one thinks of themselves as a hipster: "Paradoxically, those who used the insult were themselves often said to resemble hipsters—they wore the skinny jeans and big eyeglasses, gathered in tiny enclaves in big cities, and looked down on mainstream fashions and 'tourists'".
He believes the much-cited difficulty in analyzing the term stems from the fact that any attempt to do so provokes universal anxiety, since it "calls everyone's bluff".
Like Arsel and Thompson, he draws from La Distinction by Pierre Bourdieu to conclude that young, upper-middle-class graduates who move to urban centers are ridiculed as " liberal arts college grads with too much time on their hands"; although "ignored in the urban hierarchy", they have cultural capital.
Members of the upper class — ridiculed in turn as "trust fund hipsters" — "convert real capital into 'cultural capital'". At the bottom are the lower-middle-class young, who "seem most authentic but are also often the most socially precarious".
Without the capital of the other groups, they depend on their fashion sense to maintain a sense of superiority. Greif's efforts puts the term "hipster" into a socioeconomic framework rooted in the petit bourgeois tendencies of a youth generation unsure of their future social status.
The cultural trend is indicative of a social structure with heightened economic anxiety and lessened class mobility. From Wikipedia, the free encyclopedia.
Today, the area attracts younger generations of artists, writers and urban hipsters, with rents rising once again.
These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.
Rents hit bottom just after , attracting artists and urban hipsters into the area. The nightlife and art scene, resulting from the growing population of hipsters, creates a new and young atmosphere in the neighborhood.
Families with children, women in headscarves, men in suits, hipsters in sneakers, pharmacists, tea-house proprietors all are taking to the streets to register their displeasure.
Due to a vast majority of the protesters being young professionals, the protests have on occasion been called, both by its critics and its supporters, the protest of the hipsters.
The media often conflated hipster aesthetics with the short-lived mids geek chic craze. Their findings demonstrate three strategies for dissociation from the hipster stereotype: aesthetic discrimination, symbolic demarcation, and proclaiming sovereignty.
Content generally includes interviews with comedians and indie rock musicians, tour diaries, cartoons, prank correspondence, and satirical essays, lists, hipster how-to guides, and advice columns.
The hipster movement embraced thrift store chic because of its love for vintage items, especially clothing. They became popular in emo, punk, indie, hipster , goth, and generally counter-culture fashion.
In some cases, hipster racism can be seen as the appropriation of cultural artifacts by hipsters. However, despite being the most widely used names for the genre, these terms are often criticized for pigeonholing artists into hipster subculture and are derisive.
Hipster dualism, instead, transcended geopolitical lines in favor of levels of consciousness. Their argument is that the contemporary depiction of hipster is generated through mass media narratives with different commercial and ideological interests.
See all examples of hipster. Translations of hipster in Chinese Traditional. Need a translator? Translator tool. Check out my hipster city guides for destinations all over the world!
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